The arrival of the moving image in contemporary art has provoked a great deal of discussion amongst critics, artists and curators, and presents a serious challenge to our understanding of the traditional media and institutions of film, painting and sculpture. "The Reader" aims to address these issues and generate further art historical study. "Art and the Moving Image" presents...(展开全部)

From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings tog...(展开全部)

From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings tog...(展开全部)

道格拉斯.凯尔纳（Douglas Kellner）著名西方马克思主义批判理论家，当前美国最有影响的“公共知识分子”之一。著有《后现代理论批判性的质疑》、《波德里亚：一个批判性读本》、《媒体奇观当代美国社会文化透视》等。

The recent first-time publication of works from Edmund Husserl's later years, especially his Freiburg period, combined with new studies of his method and theories, has stimulated a remarkable shift in perceptions of the scope and significance of Husserl's transcendental phenomenology. Informed by a deep reading of not just the works published during Husserl's lifetime but also ...(展开全部)

The recent first-time publication of works from Edmund Husserl's later years, especially his Freiburg period, combined with new studies of his method and theories, has stimulated a remarkable shift in perceptions of the scope and significance of Husserl's transcendental phenomenology. Informed by a deep reading of not just the works published during Husserl's lifetime but also ...(展开全部)

This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image but new technological developments in digital media have fundamentally altered the way in which we think about the still and the moving im...(展开全部)

This edited collection explores the relationship between urban space, architecture and the moving image. Drawing on interdisciplinary approaches to film and moving image practices, the book explores the recent developments in research on film and urban landscapes, pointing towards new theoretical and methodological frameworks for discussion.

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions betw...(展开全部)

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions betw...(展开全部)